Review of BRB’s audio described performance of Tchaikovsky’s ‘Nutcracker’ at the Birmingham Hippodrome on the afternoon of Sunday 11 Dec at 1 pm.
For many of us a key part of the Festive Season can either be a pantomime and/or a ballet. Ever since I was a child I have been lucky enough to enjoy an annual panto which has been even more enjoyable in recent years, thanks to audio-description. Much as I love a lot of ballet music, I am afraid that I’ve never been able to appreciate the actual art of ballet, so I was delighted when, earlier this year, the Birmingham Royal Ballet and the Hippodrome started to discuss the possibility of an audio-described performance of the seasonal favourite ‘The Nutcracker’.
Originally this idea had emerged a couple of years ago and I was fortunate to be involved in, what amounted to be, a pilot at that time. Building on this and encouraged by audience interest in such an assisted performance, BRB and the Theatre arranged for Sightlines’ describers, Jonathan Nash and Julia Grundy, to audio describe the final performance in the 2011 run – the matinee on Sunday 11 December at 1 pm.
Turning up at the Hippodrome in time for the 10.30 am touch tour, it was great to see so many visually impaired patrons and their companions eagerly waiting to be taken on stage to explore the set and costumes. Equally impressive was the number of theatre and BRB staff there too, all keen to ensure that we VIPs all got the most out of the whole experience.
On stage we were shown the Christmas Tree and a number of the props, such as some of the toy soldiers and the all important nutcracker doll itself. We were also told about the set with its spacious drawing room with imposing fireplace, rich velvet curtains, and a window looking out onto a wintry landscape. We were then ushered behind the scenes, to the so-called ‘quick change’ area, to literally get a feel of some of the elaborate costumes, many of which were surprisingly heavy given that the wearers actually had to dance in them! As Jonathan, Julia and BRB’s Deputy Stage Manager, Eliska accompanied us on our tour, we learnt a few tricks of the trade too, which is always a bit special, for instance, we were shown some rosin which is used on the ballet shoes to stop the dancers from sliding about, and apparently the stage floor is sometimes swept with water containing Coca Cola, to give it a slightly sticky surface also to prevent any slipping.
As there was a relatively long gap between the end of what was a very comprehensive hour long touch tour, and the pre-show notes, the Hippodrome very generously laid on coffee, tea and mince pies for us all, and as we relaxed in the bar area, Laura (playing principal role in that day’s performance) and Jade from BRB, came to talk about their roles as Birmingham Royal Ballet dancers – another real bonus. They even encouraged us onto our feet to try out a couple of ballet steps! Then equipped with headsets, which the theatre staff and describers had helpfully handed out over the morning coffee, we took our seats in time to tune into the12.45 pm ‘live’ pre-show notes giving further information about the cast, costume and set and even a bit about the story of the Ballet. At 1 pm when Jonathan told us that the auditorium lights had faded, the 50 piece orchestra struck up, and for the next 2 hours, I, for one, relaxed to some of Tchaikovsky’s wonderful melodies, including, ‘The Waltz of the Flowers, ‘March of the Toy Soldiers’ and of course ‘The Dance of the Sugar Plum Fairy’. Talking to people informally during the morning, this was, for some, their first experience of any type of ‘live’ audio description, and there was nothing but praise for the warm welcome and informative behind the scenes tour.
Regular theatre-goers, who make the most of audio-described shows, will be familiar with Jonathan and Julia’s expertise, and that Sunday afternoon’s enthralling production was certainly no exception and, unquestionably their skilfully timed commentary helped me to get so much more out this magical story and the very visual art of Ballet itself. Based on people’s genuine enthusiasm it would be lovely to think that an audio-described ballet could feature as an integral part of the Hippodrome’s annual repertoire of assisted performances.
For those unable to attend this particular audio described event, there is still a chance to enjoy another audio described seasonal favourite in the shape of the Birmingham Hippodrome’s panto, which this year is Cinderella, and the a d performances are matinees on Wednesday 18 and Saturday 21 January 2012 and details on how to book tickets, headsets and places on the touch tour can be obtained by ringing 0844 338500